影片以一战时期，1917年春某一天的两个小时为背景，当时德军从战场撤退到兴登堡防线，那里设置了地雷和狙击手作为陷阱。英国军队在与德军长期的僵局后，寻找机会消灭对手，计划进攻兴登堡防线，在最后关头才发觉这是德军的陷阱。布雷克 （ 迪恩-查尔斯·查普曼 饰）和斯科菲尔德 （ 乔治·麦凯 饰）两位年轻的英军士兵奉命去前线传达命令，这次任务相当艰巨，不但要穿过前线和敌人阵地，留给他们完成任务的时间也只有一天，这不仅仅是为了拯救1600名英国士兵，而且布雷克的哥哥也在前线 。

影片以一战时期，1917年春某一天的两个小时为背景，当时德军从战场撤退到兴登堡防线，那里设置了地雷和狙击手作为陷阱。英国军队在与德军长期的僵局后，寻找机会消灭对手，计划进攻兴登堡防线，在最后关头才发觉这是德军的陷阱。布雷克 （ 迪恩-查尔斯·查普曼 饰）和斯科菲尔德 （ 乔治·麦凯 饰）两位年轻的英军士兵奉命去前线传达命令，这次任务相当艰巨，不但要穿过前线和敌人阵地，留给他们完成任务的时间也只有一天，这不仅仅是为了拯救1600名英国士兵，而且布雷克的哥哥也在前线 。

1917年，第一次世界大战激战正酣，并到了最关键的时刻。在英军一方，两名年轻的士兵斯科菲尔德（乔治·麦凯饰）和布雷克（迪恩·查尔斯·查普曼饰）接到…

在Botelho的<想做美国总统的女人>(2003)和这部里选了很久,最后决定选这部成名作,其实两部都很幽默,他是葡萄牙当代最好的超现实喜剧片导演. 　　Maybe the best Portuguese movie ever done, "Tráfico" is a sad, sad portrait of the modern Portugal and (if there is such a thing, since Portuguese mentality seems have not changed in 800 years), in spite of its sarcastic, even surrealistic mood, a very dark and dejected film, at least for Portuguese viewers. Very funny too (yet,with a kind of humor whose nuances risks sometimes to escape unnoticed by foreign ears), with some of the more sharp-witted sayings and situations I ever saw in cinema. The dialogue with the Portuguese culture it's ever present, making of it a movie that just can be fully understood by an autochton. Notwithstanding - don't miss this masterpiece.

Batiste also took a spin in the spotlight to announce his collaboration with Heineman on American Symphony, a feature documentary about his path to creating the stage show of the same name that debuted at Carnegie Hall last fall. The film is said to be an intimate look at his creative process and an unprecedented look at his personal life during the highs of winning five Grammys (including album of the year for “We Are”) and lows of facing his wife’s cancer diagnosis and treatment.

Batiste also took a spin in the spotlight to announce his collaboration with Heineman on American Symphony, a feature documentary about his path to creating the stage show of the same name that debuted at Carnegie Hall last fall. The film is said to be an intimate look at his creative process and an unprecedented look at his personal life during the highs of winning five Grammys (including album of the year for “We Are”) and lows of facing his wife’s cancer diagnosis and treatment.